Still, these Access Glasses are much more ideal than the CaptiView, and some theater chains have already decided to upgrade their technology. The captions may blend in with the movie’s colors or lay across actors’ faces, and there are some who’ve experienced the same inaccurate or dropped captioning. Unfortunately, they’re not perfect, and some users have problems with them, particularly people who wear glasses or have sight problems. Also, they’re adjustable, allowing you to pick the right focal length for your eyes, and they can be used with 3-D lenses. These glasses are a step forward, especially as they wirelessly connect to the movie’s file, allowing direct access to its captions.
#AUDISM UNVEILED YOUTUBE MOVIE MOVIE#
These devices project captioning for the movie directly onto the lens, so the viewer can see the words without looking away from the screen. Instead of using an archaic, and botched, attempt at accessibility, which was probably hyped just to make Doremi Labs (now a subsidiary of Dolby) money, movie theaters should be using the latest tech.įor example, several years after the CaptiView came out, some theaters began using Entertainment Access Glasses. The experience is less like watching captions on a DVD and more like live captioning on broadcast TV or YouTube, all the errors and fails included. DiMarco noted they’re notorious for skipping dialogue, jumbling words, or even censoring foul language. Worse, the CaptiView doesn’t even guarantee accurate captioning, as Mr. They’re distracting, block the screen, cause eye strain and headaches, take up your cup holder, don’t work well for tall people or kids, etc. Sadly, these devices are about as successful and useful as the LaserDisc or Zune, and are almost a decade old. CaptiView was touted as an excellent option for D/HH viewers, replacing the old Rear Window system, to the point that governments even dedicated funding so movie theaters could purchase them. One option is to upgrade the technology to something better than the CaptiView device, which is the primary technology movie theaters use. The big movie chains, however, just don’t want to be bothered. What makes this struggle worse, though, is the technology or options exist to make movies more accessible. To be fair, this has nothing to do with Black Panther, but with a real struggle that D/HH people have when they want to enjoy the movie experience alongside everyone else. Not to mention, upon leaving the movie early and requesting a refund, AMC refused and instead gave him two passes for a future film.Īfter all, what better way to compensate someone who can’t enjoy your movie than letting them not enjoy it two more times down the road. DiMarco was upset that he was forced to use a device that blocks the screen and doesn’t even provide accurate or consistent captioning. RT if you prefer open captioning instead of this /Tdql6x5FAk
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